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At War for Peace

Date:

October 28, 2006

Lead-in:

What happens when the war is over?
Håvard Rem and Marcel Leliėnhof have argued their way through an entire book about peace.

Byline:

Bente Bakken 

Trancelate by 

 Ingerid

Source: 

   http://www.dagbladet.no/tekstarkiv/artikkel.php?id=5001060079174&tag=item&words=h%E5vard%3Brem

Article:

"LUCKY IS THE COUNTRY that gets bombed by the United States, because this wakes up the media," author Håvard Rem says drily.
Photographer Marcel Leliėnhof nods:  "The press has its favorite countries, whether it's Palestine, Lebanon, or Iraq.  All the problems of the African continent - the type illustrated by photos of young children with distended stomachs - bore people after a while.  Maybe our book is a better way to bring attention to the important international problems, because it is an alternative in terms of both photos and text.  We hope that it will give people the desire to read about topics they otherwise don't come across or care to read about in the papers.  For example, what happens after a peace agreement is signed.


END OF FEBRUARY 2006:  Rem and Leliėnhof have set up camp in Yaidadalen, a few hours' flight outside the town of Arusha.  Together with a hunter - and the Hadza tribe - they enjoy the view of Tanzania's completely bare landscape.  The Norwegians are having a good time.  It is the last evening of their trip.  The book project which has had them shuttling between several parts of the world is soon to be put down on paper at home in Norway.  They can afford to relax.  Earlier in the day they'd eaten the world's best honey dish from a honeycomb picked from a tree.  Now they're sitting and listening to the Hadzas telling stories.  Over them hangs a star-studded sky.

Rem and Leliėnhof have been looking for peace.  Maybe it is to be found here?

OCTOBER AT THE THEATER CAFÉ.  Between us lies the book «Fred», which is to be published at the somewhat embattled Peace Center next week.  The book deals with fact-gathering trips Rem and Leliėnhof have taken to the embattled areas where the fighting has been called to a temporary halt.  The trip has followed the aid work of their employer, Norsk Folkehjelp, in areas like Bosnia, El Salvador, Palestine and Sri Lanka.

"You feel that journalists soon lose their interest during peacetime?"

"Absolutely.  The war is like a celebrity.  Peace is an everyday affair," says Leliėnhof. 

"We wanted to research the breathing room which arises after Åsne Seierstad has left the refugee camps and before Star Tour arrives.  What happens with the people - how do they carry on with their lives?" says Rem.

We rejoin the two guys as they are enjoying beef tartar and sirloin steak with lukewarm beer.  It's now been a while since Africa.  But they miss the time they spent with the Hadzas.

"To sit there in the middle of the bush and listen to them telling about their lives . . ..  It was unbelievable; one of the most fantastic things I've ever experienced.  They have a kind of peace and dignity about them.  If you think the world is difficult and you need a lift, you should spend a week with them," says Leliėnhof.

He has carried out several assignments for Norsk Folkehjelp before - but those were more traditional photography assignments for calendars and aid projects, of schools, hospitals and smiling children.  When the idea of writing an entire book became a possibility last year, both Rem and Leliėnhof understood that the work had to be of a different nature.  It didn't happen without a fight.

"It became a kind of collision of cultures.  In the aid business, it's usual for the organizations to have total control over the text and photos that make up the brochures and other publications they pay others to produce for them.  Then we showed up, wanting more of the control ourselves.  We couldn't travel around and say «here they're building a school and over there they're clearing mines, and everything's fine and dandy».  After a while they understood that we were doing it the way we saw fit," says Rem.

THE TWO INDEPENDENT artists drew quite a bit of attention at Norsk Folkehjelp's headquarters when they returned home in March from Africa and were interviewed by VG.  Over a two-page spread, they expressed their rather critical opinion about how the charitable organizations conducted their projects.

"The book then was hanging by a thin thread.  Now Folkehjelpen has come around to our concept.  I think they have been very brave.  But we knew that their projects would fit in well with the book.  They think politically and long term.  They are concerned not only with emergency aid relief," says Rem. 

MUCH OF THEIR FRUSTRATION comes from their stay in Angola, which according to Leliėnhof was a complete hell.  Not only because the country is completely in a state of shock, staggering under corruption on all levels, and run so ineffectively that he found himself wishing the Portuguese colonialist rule back.  But because they weren't able to shake the feeling that the aid to Angola was doing the Angolian government more harm than good.

"Take the clearing of land mines, for example.  During the border war the national armed forces planted innumerable mines.  The same president is still in office today and reaps considerable earnings from the oil industry which is supported by and carried out by Hydro.  But the only land mines he manages to remove are those which are in the way of the mobile telephone towers belonging to the mobile telephone company he himself owns.  We have a lot of respect for the work done by Norsk Folkehjelp, but situations like this one are just too absurd," says Rem.

"Angola is one big family-run operation.  The president's daughter owns the only taxi fleet in the country, among other things.  At the same time, if the West doesn't help improve things there, what happens then?" adds Leliėnhof.


On the opposite end of the scale lies Cambodia.  "A fantastic country!  We met all kinds of people, from prostitutes to former Red Khmer soldiers.  Everyone had an unbelievable commaraderie.  They wanted to move forward, build up a new and better society.  It seems as if they have worked through the past and their own lives in an entirely different way.  Maybe they are able to bear more than others.  I actually think that's the case," says Leliėnhof.

THIS IS THE FIRST TIME Rem and Leliėnhof have worked together, even though they have known each other for nearly six years.  "And now we've gotten to know each other even better through a number of hair-raising flights.  I must compliment Mia Gundersen for having made an amazingly good choice (in a husband).  Marcel is cool in the true sense of the word: calm and laid back.  And he always carries an amazingly complete traveling pharmeceutical kit," says Rem.

Leliėnhof smiles.  He's just received a text message from his famous wife (stage acress and singer).  They have just celebrated their fourth wedding anniversary.  He looks happy as he lays his cell phone down.

"Håvard and I compliment one another.  I often dread making contact with strangers and say that I'd much rather photograph them.  But Håvard, he just smiles and waves and says, «Hey, listen!  We'd like to talk with you a bit.»  And everything works out fine.  He's also incredibly good at remembering where we've been and who we've talked to.  I forget such things all the time."

There's still one thing Rem's social abilities and memory aren't good for.  "Marcel prefers photographing the traces people leave behind, rather than the people themselves.  When the assignment requires him to photograph people, he's like a 10-year-old with his camera.  He asks people to stand and pose and then just shoots away."

Leliėnhof laughs:  "Yes, that's true . . ..   But when you compose a photo, people always have time to pose, and it's artificial, I think.  It's often stressful for people when you herd them together for a shoot. I prefer to try to make the experience as painless as possible.  For others, it might seem clumsy or childishly naive, but it works well for me.  I arrange people and work quickly, so that it's all over before they get restless.  It makes the portraits simple and direct."

Then he says more seriously:  "Many people think I just take celebrity photographs and report on fashion.  But that's only once a month, at most.  The rest of the time I take assignments for the Red Cross, Amnesty International, and others.  This work is just not as noticed as the other, more glamorous shots.  This irritates me a little."

THE VISIT WITH THE HADZAS in Tanzania that made the strongest impression on both Rem and Leliėnhof was an exception to their rule of traveling to places with comparitively new peace agreements.  The country has not experienced war in recent times.  But even in Tanzania, there is not peace to be found for everyone.  .

"The Hadzas will cease to exist in 30 years.  Their territory grows smaller by the day.  Rich participants in the oil industry want their valley as a hunting area, and the Hadzas are easy to oust because they are not warriors," Rem says, and continues:  "It's incredibly sad.  The language of the Hadzas have clicking sounds, which is characteristic for rather old cultures.  They represent an enduring lifestyle which goes back more than 10,000 years.  But now they're being eradicated.  In peacetime."  

In a similar way he and Leliėnhof saw how the Mayas in Guatemala live with structural racism:  They don't go to school, have regular work, are represented by a national council, or have the possibility of practicing their religion in peace. 

"So you actually didn't find peace anywhere?" we ask.

The silence is palpable.  Rem clears his throat.  "Well . . . a report was recently published which showed that there is more peace on earth now than there has been in several decades.  But on the other hand - we saw that war still exists in most places, whether in people's heads or in the form of psychological and economic harrassment, poverty and racism.  At the same time we found a lot of quality of life in the middle of the lack of financial support and new SUVs.  Our book presents exactly these questions:  'What is peace?'  'What is a good life?'  We have no ready answer.

 

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